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Modernism (The New Critical Idiom), by Peter Childs
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The modernist movement radically transformed the late nineteenth- and early twentieth-century literary establishment, and its effects are still felt today. Modernism introduces and analyzes what amounted to nothing less than a literary and cultural revolution.
In this fully updated and revised second edition, charting the movement in its global and local contexts, Peter Childs:
- details the origins of the modernist movement and the influence of thinkers such as Darwin, Marx, Freud, Nietzsche, Saussure and Einstein
- explores the radical changes which occurred in the literature, drama, art and film of the period
- traces 'modernism at work' in Anglophone literatures, especially in writings by a range of key figures including James Joyce, Virginia Woolf, Samuel Beckett, Nella Larsen, Gertrude Stein, Katherine Mansfield, T. S. Eliot, and many others
- reflects upon the shift from modernism to postmodernism.
At once accessible and critically informed, Modernism guides readers from first steps in the field to an advanced understanding of one of the most important cultural movements of the last centuries.
- Sales Rank: #1233198 in Books
- Published on: 2007-12-24
- Original language: English
- Number of items: 1
- Dimensions: 7.70" h x .80" w x 5.00" l, .60 pounds
- Binding: Paperback
- 248 pages
Review
'Peter Childs' "Modernism" is a volume in the "New Critical Idiom" series and it is one of the best.' - "The Lecturer"
About the Author
Peter Childs is Professor in Modern English at the University of Gloucestershire. He is the author of many books on literature post-1900, including The Twentieth Century in Poetry (1998).
Most helpful customer reviews
1 of 1 people found the following review helpful.
Concise survey of modernism
By Bob R Bogle
Peter Child's 2000 book Modernism, in The New Critical Idiom series, is exactly what it sets out to be: a brief but diligent overview of modernism, the literary/cultural movement that arose in response to changing times at the turn of the century, signaled by increasing industrialism, urban life, technology, and eventually by the first World War.
As the world grew ever more complex, the capacity for individuals to understand the world diminished. It can be seen then why a prevailing philosophy of realism, in which it's assumed that all members of a rural society possess a basic, common-sense grasp of the world, should have been compelled to give way to a more internalized and subjective response, inherent to each individual, to the complicated urban world. Childs' vision of modernism is less as an artistic movement than an uneasily reacting society in crisis. Not that the new, complicated world was necessarily seen as dystopian, but that it was perplexing, demanding an unprecedented degree of sophistication.
The literary technique known as stream of consciousness is probably the most familiar characteristic trait of modernism. Stream of consciousness writing perhaps became inevitable as people moved out of the wide open country and retreated inside their own heads. Of no less importance was the need many modernist writers found to try to impose order on the new chaos through the imposition of systems or architectures of symbols to provide structure for their works: structure which now seemed lost in the world around them. The reassuring internal logic of these symbol-systems served in a role analogous to that formerly paid by stock-characters plowing through plot-heavy dramas in the preceding era of Victorian realism.
0 of 30 people found the following review helpful.
Not Literary Tortue
By Lit Master
If you're reading this book, then don't thank your professor. There are better textbooks out there, but at lease it short. It's ok if you're taking a summer school Modern literature class. I wouldn't use it in any of my classes otherwise - but I was forced to as a student.
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