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The Girl Who Played With Fire: A Novel, by Stieg; Translated from the Swedish
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- Sales Rank: #3615328 in Books
- Published on: 2010
- Original language: English
- Binding: Paperback
- 630 pages
Most helpful customer reviews
0 of 0 people found the following review helpful.
Salander and Blomqvist return
By Amazon Customer
Stieg Larsson left the world with two of its most unlikely heroes. The Girl With the Dragon Tattoo introduced us to Mikael Blomkvist and the enigmatic Lisbeth Salander, but The Girl Who Played with Fire takes us back into the dark past that created Salander. Without spoiling the story, I will say that the intensity of the first book was only ramped up in the second, and you will be hanging onto every word until the very last page.
2 of 2 people found the following review helpful.
I am an enormous fan of Larsson. This book just doesn't quite make the grade.
By clifford
As an author, Stieg Larsson is someone of whom you just cannot say enough good things about. Not only was his story telling unique in style, but in substance as well. His characters are fleshed out above and beyond a mere mystery. The plots of his stories are so complex and deep, that you get lost in them and once you are finished you look back in awe over the creation.
I don't know enough about the life and early death of Stieg Larsson. All I know is that the first two of the three books he left to be published comprise what can only be considered to be one of the all time classic mystery/thriller genre book series.
Once again we are given the admirable character of Mikael Blomkvist as a protagonist. The story starts off with him and his familiar cast of Milennium Magazine getting ready to publish an expose on the sex trade of Sweden. We are also re-acquainted with Salander, a quite introvert genius (negative note #1, Larsson is falling into an old trap where the author falls in love with his characters. Salander is morphed here in this second installment from a simpler character into one with almost super-hero qualities which instead of setting her apart, instead makes her feel almost like a character based on a Marvel comic book.)
Ok, so you know that I love Larsson, love the characters, and I even really enjoyed the story. Why would I give this book only 4 stars then??? Well, this is based on purely personal reasons for the most part. I am a reader who hates jumping from character to character, and the more characters who find themselves in the roll of first person, the more I hate the story. However, "The Girl Who Played With Fire" relies upon this trick more heavily than just about any other novel I have ever read. Larrson writes in nice short chapters, and they are always seen through someone different eyes. I bet I could go back and dig up 30 different first person studies. Larsson, great writer that he is, still manages to avoid the most common flaws here and pulls it off better than most. It was just a lot more bumpier of a read than it needed to be.
Perhaps most egregious, Larsson plays with the plot, suspense and arc of the story by mashing all of the story lines into one convergence. I am not giving anything away here because this information can be found on the books dust jacket. We are following Salander along quite nicely. Once she is accused of the triple murders, she flees and the story forgets her. Alot of what thus ensues could have been answered quickly if we had only stayed in her head and not started to jump all around from character to character.
Or perhaps I could put it this way... Larsson falls back on a lazy mans writing trick by jumping from one persons mind to the next. He fills in gaps and keeps the story moving along this way. However, the most important bits surrounding Salander, Larsson goes the opposite route and keeps these moments hidden from the reader. Thus giving a very false sense of urgency and suspense. I can't forgive him for trashing the novel so heavily with this ploy. The rest of the writing structure and style would definitly merrit 5 stars, but...
2 of 2 people found the following review helpful.
Slowly revealing Lisbeth
By Sara Hathaway
Lisbeth Salander, an angry young hacker and cyber-embezzler, is out of the frying pan and into the fire as the prime suspect in three murders. Yet Larsson hides from the reader key details about how Lisbeth became a suspect and whether she is guilty - we don't want to believe it, but there are these facts to consider. . . . Slowly the third person narrator takes the reader inside the heads of key players to reveal some - but not all - of Lisbeth's secrets as well as the hidden actions and motives of people all around her.
Mikael Blomqvist returns to do what he can to defend his former lover, whom he believes to be innocent. Larsson sustains the tension in their relationship by almost but not quite bringing the two face-to-face throughout most of the book.
While I know little about computer technology, I appreciate that Larsson included 21st Century technology in his plots. In this era, I expect brilliant sleuths to use the Web but hope they won't get too technical or cross the line into the kind of computer science fiction I suspect I am seeing on some tv detective shows. Lisbeth's skill as a hacker and user of gadgets manages to strike the right balance.
This sequel does a good job of developing the terrific main characters from Larsson's "The Girl with the Dragon Tattoo". Lisbeth is a fresh, tough and fascinating 21st Century woman and this book shows us some of the sources of her smart and skeptical nature. I look forward to learning more about her complex background and inner life in the next installment of the trilogy. I already suspect that the first chapters of "Fire" will play an important role in the plot of the third book.
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